whitelabel copies with handwritten labelcode of this mid-90s techno/acid gem.

10th vinyl from italian revox label is courtesy of the pastaboys, backed up with remixes by tevo howard, snuff crew and leon in love.

2nd part of eintakts anniversary vinyl series gives us an insight into a world of playful acid lines, warm guitar sounds and unique vocals by ghettozoid (boy toy) and dasha rush (je suise). a varied compilation, full of crafted sounds and samples, analogue machines and wicked vocals. et00/2 the anniversary part2 compilation includes music from ghettozoid / bekeschus acid dub mix, reynold, neal white and telly quin & gunnar hemmerling. an entity,a mix of deep techno, house and acid.the vinyl is a limited 200 copies edition.

sonic underground compiles remixes by the ccc family of up-and-coming indie artists – four floor-ready, mutant hybrids of rock, pop, disco and deep house. belgian firebrand mugwumps rework of cccs own acid snow transforms the acid/no-wave original into a disco-house monster thats earned accolades from the likes of ewan pearson and magda. ivan smagghe calls the remix a no-nonsense record. while some look for experimental arty-ness, some for the big hit, all of this pretending to be underground, mugwump pull out of their sleeves what is properly hard to achieve, a cool big track.in a similar way, the rest of sonic underground explores new combinations of arty edginess and mass appeal. mack winston & the reflections see their swaggering glam-rock transformed by ccc into a deep back-room sex jam thats getting support from the wolf + lamb crew and is featured on soul claps compilation cd for mixmag in february. the flipside highlights remixes by cccs own night plane: with its atmospheric guitar and emo vocals, his take on presssures sounds like if the cure ever showed up on crosstown rebels, and his re-design of fellow new yorker baby alpaca is a dreamy k-hole lullaby, with blissed-out melodies that make it an after-hours snuggle classic.

new werkstoff musik with double masterminds dreher and smart. incl huge falko brocksieper and david pasternack remixes. aus einer warmen und deepen grundstimmung heraus entfalten sich filigrane schleier aus technoiden downs und offs, die dem sich niemals zurücklehnenden beat eine grundlegende gelassenheit verleihen. in einem meer voller zurückhaltend modulierter, dunkler und geheimnisvoller sounds wecken dreher und sm.art sanft verschnörkelte erinnerungen an alte zeiten des acid- und tribalhouse. trotzdem wirkt der track klar, konsequent und ohne überflüssigen ballast. ruegenrund, das ist ein siebeneinhalb minuten dauernder magischer moment, voller kraft, harmonie, glaube, versprechen und vertrauen. ein offener blick in eine tiefe seele, wie ein spaziergang am rande der welt, verträumt und trotzdem voller gespannter erwartung.

after two smoldering releases on figure & spc, roberto bosco is back for his third offering for len fakis spc imprint. a future-classic 4 track techno ep, with more than enough to keep the peak time floors happy, this is big room music at its most intelligent and sensitive. easing us into the thick of it, charming noise takes humming, rumbling bass tones and a metallic clang as its themes. slow burning and readily effective, its a brooding monster for the late hours. i just cant breathe pushes the adrenalin up a few notches in a screaming, white noise attack on the senses. boscos trademark heavy bass rumble and crisp percussion layers hold their own in this reduced killer. were then ready to embark on an emotional voyage as the masterful see the light emerges from the depths with its pushing acid bass and beautiful atmospheric melody. classic strings and synths swirl and build in a tender and heartfelt piece of timeless techno. closing the ep, i was lonely takes the vibe into more reduced, after-hours zones with robertos cool and low-slung take on the smoother sound of futuredeep house.

alland byallo gained global attention producing for definitive labels like poker flat and liebedetail, hosting san francisco s legendary kontrol party and performing at world-famous venues like berlin s panoramabar and watergate, and detroit s annual demf, byallo looks forward to showcasing his more private side through bad animal, expect more organic productions, vocals and raw emotion.
the label s intimate feel is realized in the title track of its inaugural release, >thirsty eyes< an evocative song about a pained, passive aggressive young woman who is oblivious of her own condition. built upon a sinister bass line and raw, soul-drenched vocal, this lo-fi tune builds to an eerie yet frenzied crescendo then explodes into a percussive workout perfect for peak time. remixes from the wildly in-demand techno trio dop. dop drops a spacey, acid-laced, psychedelic monster. finally >open windows< byallo s other original piece, pays homage to the past with a look towards the future, this bass-heavy techno/house tune opens with an old-school build-up then chugs along accented by an ethereal vocal and energetic stabs designed to get the dance floor moving.

mowar has reached its 10th release! this release heads into a darker direction with four solid and mental techno movers. searle is a new name to join the mowar ranks, but his sounds are pure, raw with a pinch of dark ambience. the record opens with the title track mind transfer, which brings a raw oldskool 808 feel layered with hypnotic basic channel-like chords and a subtle but most effective acid line. modern love s claro intellecto on remix duty turns the track into a slow moving warehouse monster, throbbing its way to a drugged chicago-esque jacking feel yet retaining the original darkness of mind transfer. on the flipside succubus lives up to its ominous title. this track is a dark hypnotic affair with fierce kickdrums piercing through an obscure sound palette of eerie pads and deep basses. razor sharp modulated noise then invades the whole thing turning the track into a punishing dark workout. finally unauthorized brings a more edgy and experimental sound to the whole, starting of with a dubby bassline and graveyard shift pads, but once the piercing hi-hats kick in, the track shifts to straightforward almost cristian vogel-like mental techno. by the way… searle is a new moniker of mowar frontman franco cangelli.

from the estrela archives of exactly that period comes the original, which was crafted by portuguese calapez at the time, as well as the newly edited pyjamas remix. calapez builds the theme monkeymonkey on top of a playful piano roll and swinging beats – simple and pure. with a wink the pyjamas remix carries that approach and the minimalist melody on, while adding a nice portion of acid. but the absolute highlight of this release, as already alluded in the incoming quote is definitively the more than cutting edge house remix of sacco vanzetti duo. funk, power, tempo and lightness: its got the ground formula to spin itself into the perpetual hunting grounds of the absolute house purist.

> music is being passed, inhaled, and expelled into nothingness. in order to fight the nonexistence of music we need to get those round plastic archives back into our hand< as you understood those archives are vinyls…the only way to keep the music alive in our head and soul through our hands, as ricardo said…and you know how much we care about that! miranda first ep on bosconi will be probably one of his last on any other label before he starts his brand new imprint. after releasing on some of the most respected techno/house label of the globe, as neroli, rush hour and reincarnation, rm doesn&#700,,t need further introductions…so we&#700,,ll quickly tell you that here you get a three tracker of pure raw analogue pleasure and proper dancefloor goodness including the bouncy acid house groover >state of mind<, the dry, nasty and minimilastic chicago rooted drum tool track called > drum with the funk<, and in the end the peaceful, dreamy and atmospheric trip of > no sound<….all the necessary ingredients for you to not leave this record out of your bag! vinyl will save our soul

hotflush presents the debut 12 inch from belgian newcomer locked groove aka tim van de meutter. the young producer delivers three hypnotizing and genre bending tracks that expertly weave the sounds of berghain, soulful house and uk garage into a single crushing package. the >rooted< ep draws you in with the title track, bouncing along to an acid baseline, then moves onto >drowning<, a moody techno track that was included on scubas dj-kicks mix compilation, filled with drum and ambient samples taken from field recordings. lastly, >change<, a production that smartly melds classic house grooves with industrial techno, demonstrates locked grooves rhythmic finesse and long-term promise as an artist.

behind cosmic metal mother youll find our man in rome paolo di nola. here he takes time out from running his panacustica label to present you a lovely, melancholy, downbeat piece of cowboy disco. on the a-side youll get an additional version by label honcho prins thomas, giving you what you never knew you wanted...a potent mix of bluegrass and acid..on the b-side nycs the stallions aka gunslingers extraordinaire lovefingers and lee dougles fights of the bad guys and gets the girl in the end...into the sunset. internasjonal hq, september 2011

4x 90ties sounding techno tracks... acid techno , harder stuff all in one....

beat a track that already is a hit? nearly impossible ? but not for noir music. they just took superfunk s lucky star and dropped it into a damn hot new edition for 2012. thanks again to solomun (diynamic, supernature) for another brilliant remix work. kolombo takes it back to the oldschool days with a deep work and a real 303 acid edit. overall a superb must-have package.

a mixture of classic and modern day techno styles tsi returns with another two track 12inch that becomes the 4th volume of the series. “chordrophonic” is a powerful hypnotic chord dub driven affair whilst “sentiment of pity” takes a different path with staccato acid lines, spacey melancholic string pads and pounding tribalesque tom driven drum rhythms.

dean merediths the rhythm odyssey returns for his next single for lipservice this time he gets together with label mates ben and vocalist james from the main stem to produce a tasty slice of classic, haunting house music with devils tease.

in the first-ever collaborative detund/bwlr release, we are proud to announce the december 2011 vinyl release of bwlr angel trax ep1, featuring tracks by highsage, steve kuehl, raiz acid and roman debnar.

items & things ist das label von magda, troy pierce and marc houle, die mit the door eine grandiose 4-track-ep des französischen produzenten tomas more veröffentlichen. das spektrum dieser platte reicht von bouncedem maschinenfunk über sparsam arrangierte, gespenstisch wirkende electronica-soundscapes bis hin zu ätherischem roboter-acid.

ndatl continues with its latest release abacus pres idrum >bang this djembe< austin bascom is no stranger to this scene having released gems on classic labels prescription & guidance returns to the musical forefront with this 15min + remix of percussion / conceptualist davidson aka idrum. from the start, the drums automatically pull you in and then comes the hard stabbing synths that will captivate the listener and dancer, add a trumpet & some acid lines, voila! you have the next club banger! then turn it over and >welcome to the party< is classic analog tracking abacus at his best, with smooth chords and driving drums will be sure to please the deep heads worldwide. also a bonus drum dub is included for our layering djs to drive dancefloors into a frenzy!

massive techno tunes by paul.groove and lars gustav a.k.a evensloped. played and supported by: xpansul, lado, mentalic, kaufmann&ferdinand, ascon bates

vinyl version of jus-ed s latest album vision dance. this originally came out on japan s mule electronic in mid 2011 and ed has now re-issued it as a dj friendly double pack. ruff, rugged and raw deep house vibes from bridgeports finest. go get it

new limited vinyl-only release from the trust orbit: scram01 combines cold futurism with a pulp sci-fi mood, cool berlin dub techno flavours with melodramatic detroit strings. side a is a pounding acid trance epic by vienna techno maestro patrick pulsinger (cheap records, r&s, disko b), side b has the slightly more melodic original plus bonus beats. limited to 300 copies.

housemeister is back with his big new single >weird friends<! with us-indie-rapper p.o.s spittin the truth on the mic and housis signature heavy beats, this one is a no brainer. the acid-guitar line weaving its way into your brain and huge drum fills keeping things interesting, this effort is sure to stand out in any set! >weird friends< remixes from so hot twr72 who deliver a solid tech-dub, obi blanche who adds a funky live bass ala cypress hill meets smith n hack and our favourite brazilians mixhell deliver a tropical disco-rave mix with epic drumfills by hero iggor cavalera. finally and not to forget on this weird single release >hirschkeule<, the original version taken from housemeisters new album >music is awesome< - out now!

following vincenzos astonishing recent album, >wherever i lay my head<, which really elevated the producers status into the stratosphere, we continue the story with three new remixes, from cult legend tom middleton, smooth-talking newcomers genius of time, and talented uk-based mic newman. tom middleton, who needs no introduction as the legendary producer behind such classic projects as the jedi knights, global communication and cosmos, hands in a modern deep techno remix that shimmers with melody and dubbed out echoes of the original version of >sometimes saturday<. leaning towards epic, with moody old-school synth builds set against contemporary punching bass tones, it certainly doesnt disappoint. swedens maverick slow-housers genius of time rework vincenzos >106 downtown< which is also a work of genius in its own right. the boys add sensitive, detailed down-tempo beats with some wonderful warm swirling vibes mic newman transforms >hello!< into a crafty fresh tech-house groover with his dub remix. floating, ethereal synths mix with bubbling acid and liquid beats in this seriously smooth and complex mix.

uncanny the label that took everyone by surprise comes with more goodness! the third artist-ep by dresden-based label comes from house- and hip hop-mastermind cuthead and is nothing less than a proper power package. with vibratin things start off as deep as the bottom of the sea. underneath cutheads dense drums there is an intense and meditating synth line which is eventually complimented by an acid figure as if it was an evil twin. brother rolls in with a mighty kick drum, before a catchy sample and not less catchy piano motives prepare for a propitiating end. with transgressions and its bass line for the bigger floors things get down to house business once again. the remaining two tracks then give an impression of what happens, if cuthead takes to the mpc for his liveset. in seram lembah und heartless cuthead combines his drumming with south east asian disco-mantras und bittersweet blues chants to heavy hip-hop-grooves. loving it!

played & supported by: luciano, dj t., butch, gregor tresher, slam, ilario alicante, samuel l. session, paco osuna, gel abril, pig & dan, mikael stavostrand, martin eyerer, fabrizio maurizi, arnaud le texier, avatism,david labeij, alan fitzpatrick

matt returns with the 3rd installment on rebel intelligence. this time 4 tracks of finely crafted acid house in keeping with his acclaimed live sets of the past 2 years. mastered onto 1/2inch tape to give an authentic warmth synonymous with the golden era of house music. from the inner city inspired >good fun< to the deep atmosphere of the title track >obsession<, this e.p. captures a sound and feeling guaranteed to move both hearts and feet on the dancefloor. limited to 200 vinyl copies only.

played by sven väth !!! night voyage tool kit is the collaborative project of two like-minded producers, night slugs bok bok and tom trago, curator of the rush hour labels voyage direct series. originally commissioned by sound pellegrino label boss teki latex, this is the result of four intense days and nights in toms amsterdam studio, surrounded by hardware and enshrouded in a thick haze. having pursued very different directions in their respective solo work, the duo find common ground in minimalism, dj tools, the neptunes and ghetto house. the result is a collection of stripped down rhythm tracks aimed straight for the club: the arpeggiator workout of pathfinder, vectors cosmic jeep bass, pom clash and its grimey lil louis tribute, and the acid epic lil ma bonus beat.

nice price deal !!! another critical release,following the deadly djs pareja single of last month. perfectly timed and cued after the recent raudive long-player on stefan goldmanns macro label. raudive is oliver hos darker, more new-wave operative, and these latest productions have caught the attention of the folks at history clock - and its a perfect alliance. the levels ep is a debased mix of sleazy, after-hours acid-dancehall with the icy cool of minimal, machine-music dynamics. essential, in a word.

stamped white label vinyl / turbo recordings unleashes one of the best acid techno records of the year.

next detroit - chicago bomb by echonomist. incl huge john dimas remix. like an aficionado of acid house echonomist returns with a stormer on third wave. this time his hyped chord progressions resolve into a groove that is more or less a reminiscence of the hacienda days. dans mon salon sings in black shades >i feel for you<, >to lock with a groove that i crave for<. a praise to jack, a praise to the way of jack. ultimately, >jack had a groove. and from this groove came the grooves of all grooves<… john dimas goes deeper underground with a simple primitive like pulsating groove. the insistent bass line tone (that slowly unravels an opening filter) clearly connects to old skool techniques of acid house masters.

music is about passion, not competition. in this spirit the something vinyl series continues again with another stl record in his diy do-what-you-wanna-do style, including 3 house tracks aswell as a astro-science thrilling farspace interlude and loop introductions. the ascetic elements on this ep are the result of an isolated one man musical universe, where the love and passion for sound research is perhaps the strongest driving force behind the machines output. a bit of squelchy mircowave-acid, some sunny analog sequences and someting that seems to come out of a lovely b-movie track, where humanoids moving death proof onto the dancefloor feeling addicted to the groove. something 18 is probably that kind of vinyl which can be enjoyed the most when the time has come to loose yourself and let things flow into the positive. this 12 inch comes in limited quantities of 500 copies and is dedicated to all believers of the something vibe.

osman strauss split ep presents two great deep-house tunes by rahmi cihan & dj credes! >abgebrecht< on the info-side by turkish-rooted guy rahmi cihan is an outstanding shaker with a quote of german litterateur berthold brecht flowed by rahmi himself. >honz< on the logo-side by dj credes combines interplanetary groove, with a soulful speech of a beautiful jazz-queen, which create a deepkickin southflavoured late-nite hymn. rahmi cihan is busy in producing and playin music since over a decade now. being beatsport member since day one his contribution to this split ep is the well compromised result of long-year experienced flow including dark-dub vocals, major chords and echoing bells. >abgebrecht< for real can be described as ramis personnel signature tag of authentic dancemusic. dj credes was discovered by bespmusic in 2010 and now it s time to pop his cherry with >honz<. the house-addicted vinyl lover delivers a dark scattered bassline, funky claps and a resonant burning synth line. piano licks, vocal snippets and an acid line driven peak time speech issue proper instructions to the crowd.

jackin family back on robsoul recordings

no doubt, daniel herrmann alias flug 8 does polarize. the principle he follows through all releases during the past years is an atmospheric melancholy that has got to fascinate. tuning would not exist without detuning, and a mood is a mood. this may be understandable easily. however, those who get into his music can expect much more from it.

bulgarian artist strahil velchev aka kink for the second volume of the tracks from the vault series. after the aphex kink ep and kinks tribute to richard d. james, sharivari releases another 6 tracks from the man, all produced between 2004 and 2009 in sofia and showcasing again his love for the dirty side of electronic music, from pure warehouse techno to some funky and warm broken beats, with a subtle touch of acid, as always with kink. 300 copies pressed on grey vinyl.already supported & played by laurent garnier, marc romboy, coyu, jimpster, tripmastaz, dan curtin, rennie foster, hardrock striker.

originally recorded in less than a week, the fun and moxie will hit you with every beat of >better living through chemistry<.
released in 1996, this is the first full-length album norman cook was to release under his successful moniker fatboy slim. fuelled by his signature big beats that would come to dominate the 90s dance scene, sprinkled with acid house bleeps and squeaks and heavily sample-laced, >better living through chemistry< proved to be just the tip of cooks proverbial iceberg.
re-issue on audiophile 180 gram heavyweight vinyl.

played by reboot, joris voorn, martinez, christian prommer, lee curtiss, sis, ... ever wondered what a butch diana ross on acid might sound like…? well youre about to find out… but before we get to overside, youve gotta enjoy and marvel at the sheer brilliance of the rest of jairo catelos latest offering on silicone souls darkroom dubs. our man from the asturias has rapidly built a strong and loyal following thanks to his beautifully crafted house cuts. jairos ability to bring together dubby textures and an innate soul within his productions is most enviable. his warehouse ep features three original new cuts backed by a rework from french house guru, phil weeks. lead cut soul school is something of a two-headed beast. whilst its kick-drum and dramatic synth stabs drive it with a serious dose of funk, it still retains a warm-summer soul that will keep the fillies moving. then, as a little sax break goes to our head, were flipped and the beats and bass get sleazy and old school. killer! mr. weeks beings some 90s flow to the table on his remix. working the guitar licks and bassline hard but always retaining a smooth as silk groove, phil shows just how to keep the dancefloor cookin. a beautiful house record from one of the very best. >yairos 303 acid< mix of overside finds us getting upside down and inside out. serious funk with an injection of some classic acid styles. final cut >the shake< sees jairo roll out drums. a lazy bassline is swarmed by ripping snares and a host of percussive sites and sounds. a perfect close to a pretty much perfect ep.

title track >lasers are forever< combines arpeggiating analog squelch, lush synth atmospherics and subtle percussion sequencing to lend itself an uncommon sense of drama, the effect of which is both compelling and visceral. on the flip, >hello darkness< takes a somewhat different approach: an imposing arp 2600 bassline pulses along front-and-center with a relentless acid-tinged snarl, while pounding drums and swelling pads complete this most banging of danses macabres. on remix duties are throne of blood alumni remain & mlle caro, who retain the key elements of their source material only to reveal an entirely different beast lurking beneath: the parisian duo take down the tempo a few notches and let swelling analog filters and unfurling lfos do the rest. meanwhile, get the curse music boss clement meyers deformhaus remix of >hello darkness< tightens the originals percussion to an industrial stomp and introduces a spooked-out synth line every bit as funky as it is uncanny- the end result lands somewhere between the boneyard and the discothèqu

follow-up 4 track 12 inch to the first volume that was released earlier this year. in line with the concept of these two eps, the tracks were again taken from juergen junker live-set, recorded straight out of the machines. friend of the house is a collaboration with pavan mann, whose vocal parts are chopped to bits and more than just add to the live-live feel of the track. therell be more of him in the near future…watch out! its a jungle has a more hypnotic vibe and lures you deeper into the house jungle. dammit is the straight-up jackin track on this ep. no messing around, just rough sounding head-nodding material . feel what i feel starts of as a deep chordy affair. hard to let go off, once the little acid-lines start dropping in. all in all, its house! its that simple… as the neurhythmics also has its 10 year anniversary this month, there will be a special limited edition of this record. 54 records will come with a miniature 3-colour stencil canvas by juergen junker, hand-made and numbered, complete with a mini-easel.

grandioser chicago-house- bzw- acid-4-tracker aus zürich! florian büchel alias cco ist ein wahrer sammler von old-school-synthesizern und drum-computern. die stücke aus >the ruling ideas< sind einerseits heftig und mega-hypnotisch, andererseits aber unglaublich deep und melodisch

yeah, coming through the nyc pipeline via plan b recordings, murphy continues to materialize tunes straight from dreams into realities with a 4 track ep of acid, deep house, and ambient tunes that signifies samples from his inner music self. listen to murphys unconscious moments rising to the top of himself, straight from the underground for the underground.

the catalog of pink stallone & joey washington singles continues with the arguable gem of their collaborative sessions, mine. the second daniele b & eddie mars co-production, mine exhibits the steady progression of the stallone sludge-funk thump, again fueled by gushing maturity and composure from washington vocals. eddie mars even delivers his own stunningly-authentic production of the stallone/washington sound, marking the first official mars rendition of pink stallone since his inception as a producer and member of the live group. with this comes two workouts by master of the deep the revenge who provides a stripped back timeless dub. one of those tracks that will still sound great in twenty years time. simple and effective with a hint of grandeur. finally wrapping things up are s.a.s (subb-an & adam shelton). following the bumping foot & mouth release earlier this summer we had to ask the boys to give there twist and they sure delivered. acid base and full throttle beats transform >mine< into a jacking dancefloor destroyer, be warned!

asiko disko - jt uses classic drum machines, sneaky acid lines and a mike dunn-esqe vocal to create this underground gem.
gaia - this track is sure to be a dj favorite. pounding tribal rhythms, hypnotic chants and an arrangement demanding to stay in the mix. this is a dj weapon.
asiko disko (dave aju remix) - having been a fan of dave aju for a while we thought it would be a hoot to get a remix from him. the result is a slow burning, shimmering remix that takes the original and shoots into space.
gaia (lance desardi remix) - our main man lance desardi turns in a electric remix. taking the original and delving into darker territory. new sonic creatures rotate around deep bass tones, hypnotic chants and new directions.

nice price deal !!! three international artists offer brand new visions of guillaminos left in the wild, originally part of the whip gymnastix ep. montreals jacques greene from the luckyme crew has just re-drawn radioheads lotus flower. now he turns guillaminos left in the wild into a refined, sideral analogue sounding slow acid jam. icans esteban adame, linked to underground resistance, galaxy 2 galaxy, and to carl craigs planet e label, translates left in the wild into avid tech-house. certification mark: detroit to los angeles. and finally, from guadalajara, mexico, pepepe is the leader of los amparito and former classmate of guillamino at red bull music academy.

breaking onto the scene via a series of anonymous 12inch, it was after garnering reverence as a big name producer in disguise that cottam was unveiled to be the humble newcomer paul cottam. rising through the early rave scene in his hometown of preston, he first cut his teeth as a dj warming up for the likes of surgeon, dave clarke and regis. despite his techno upbringing, it was the slo-mo tempos of mark e and the revenge that inspired cottam to produce his own brand of dusty soul and hip hop-grounded house. however, in april cottam returned to his roots with >sunrise sunset< on use of weapons, sinking a rave core down to his signature slung bpm. it is a journey into sub-aquatic acid house that began with a series of remixes for luv jam, pattern select and morning factory, and one that he continues to explore on his aus music debut. aptly titled >deep deep down< sculpts the feeling of acid techno into warm slo-mo house. ukrainian producer vakula takes the track off on another tangent entirely, stripping away its propulsive chugging heartbeat and replacing it with an off-kilter, spaced-out pulse reminiscent of theo parrish when he s in that kind groove. on the flip, >twang< is a return to cottam s brand of languid, soulful house, steeped with groove destined to incite the dancefloor shuffle.

full drumming, a grumpy chord sound embraced from a dark, rebelling melody line like out of the old rave days and the demanding voice from the massive track internal, which calls the >soldier< with his name. remixer rolf mulder mills with darkly digging sequences and creaky acid effects sharp edged points in the sole of the dancers, so that these also find enough hold on the slant melodies. >skydive< makes in the matter of grooving also thick cheeks. the track rumbles more and more elegantly than stoic through the space and pulls from the propulsive combination of the vocal-hookline and the harmony changes a well-arranged serving of pop flair which cuts the darkness of the night with a flashing blade from light. toureaus impact version of >skydive< serves 8-bit like clicking in the treble area, swears to the rhythmical spirit of the good old days and asks him for a bouncing dance on the floors in the here and now.